Gryflet’s Left to the Unknown
We all have voices in our head. In the early 1930’s the Soviet psychologist Lev Vygotsky defined the distinction between silent…
Gryflet’s #MeToo
The #MeToo movement has been short of revolutionary, even becoming Time Magazine’s ‘Person of the Year.’ Its ripple effect has…
Shared Hallucinations: Gryflet’s ‘Your Head on the Pillow’
Way before there was such a thing as ‘virtual reality,’ there was music… Its mythologies connected ordinary peoples with the extraordinary…
Gryflet and the Mile High Club
Many people have fantasies about getting it on in an airplane bathroom. I’m not sure why: they’re small, brightly lit, and sometimes…
A Genealogy of X performance – MMCA Seoul, Dec 3rd
Despite all the political protests in central Seoul, the show must go on! Excited to provide ambient saxophone backdrop to Choon…
X-ray of the Past and Future
In the wake of another recently broken bone (this time my foot!) I’ve been thinking again about pain and its role in our lives. It’s indeed an…
Black and White
“I’m done playing music to a bunch of white guys standing around in a room.” Being lily-white-male himself, this was quite a proclamation from…
B3ND3R: starting over again
I’ve gone on about being addicted to Reverb, my drug of choice. My previous recordings and collaborations were drenched with…
dethkaster
I customize all my instruments in one way or another, hopefully in artful and subtle ways, but there are always those extreme cases…
B3ND3R: We Were the Young Americans
“You have to lose that fake British accent.” Stephen Bender had a penchant for calling out any kind of pretension. It was 1995 and he…
tascam 234 4-track
Now that my final 4-track effort statik 3 has been uploaded I want to pay homage to the cassette 4-track recorder that liberated the…
Stone’s Throw: Bromances vs. Blood Brothers
Before there were light-hearted Hollywood ‘bromances’ there was the much more serious bond of ‘blood brothers.’ A blood brother…
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